Active Filters:
Participation: 100%
Unique Chords: 7-10
Clear All Filters

Tags

Handel
HWVA3N15 - "Se Fiera belva"
edward.maurath
6:18 Est. Play
Time
71 Measures
1,346Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 19 19 6 6 77%
Bass 23 9 6 8 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 19 19 6 6 77%
Bass 23 9 6 8 100%
Cembalo Continuo Treble 17 8 5 6 65%
Bass 23 34 7 8 100%
Contrebasso Continuo Bass 20 0 5 5 91%
Violini Treble 28 0 9 5 91%
Violoncello Continuo Bass 20 0 5 5 90%
Castrato Alto
as Bertarido		 15 0 5 5 66%
Bassoon Continuo Bass 21 0 5 4 65%
Viola 14 0 1 5 42%
 
HWV63A1N5 - "For Sion lamentations make" in f minor
edward.maurath
3:06 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
View all 16 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 22 7 11 6 100%
Bass 21 2 10 5 100%
Bassoon Bass 19 0 6 8 100%
Bassoon Continuo Bass 24 0 9 6 100%
Contrabassi Continuo Bass 19 0 7 5 100%
Inferred Bassoon 23 0 7 6 100%
Viole 16 0 4 7 100%
Violini 1 Treble 20 0 8 6 100%
Violini 2 Treble 17 0 7 6 100%
Violoncelli Continuo Bass 20 0 7 5 100%
Alti 10 0 4 7 83%
Soprani 14 0 5 7 83%
Bassi Bass 16 0 5 7 79%
Tenori 12 0 4 7 76%
Oboe 1 Treble 12 0 3 7 72%
Oboe 2 Treble 15 0 6 7 72%
 
May Love Preside
singthewords
1:39 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 10 3 9 99%
Bass 17 1 1 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 10 3 9 99%
Bass 17 1 1 6 100%
Flute Treble 13 0 2 10 94%
Soprano Treble 14 14 2 8 78%
Alto Treble 13 15 2 8 75%
 
HWV8A0N13 - La speme, e cura (Erato)
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 7 4 3 100%
Bass 7 1 1 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 7 4 3 100%
Bass 7 1 1 2 100%
Erato 7 0 2 3 100%
Violoncello Bass 7 1 1 2 100%
 
HWV8A1N9b - Tenor Aria for Sivio "Di goder il bel ch'adoro"
edward.maurath
1:48 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 24 20 4 5 100%
Bass 16 7 2 6 100%
Violin
1		 Treble 10 0 1 6 92%
Violin
2		 Treble 15 0 1 7 92%
Violoncello Bass 15 0 2 5 79%
Silvio 11 0 2 6 77%
Contrabasses Bass 14 0 2 4 69%
Violoncellos Bass 14 0 2 4 69%
 
HWV8A0N11 - Pingi i trasporti (Apollo) recitativo secco
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 11 7 1 4 100%
Bass 4 0 0 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 11 7 1 4 100%
Bass 4 0 0 2 100%
Apollo 6 0 1 3 100%
Violoncello Bass 4 0 0 2 100%
 
"Presti omai l'Egizia terra" From HWV 17
edward.maurath
2:46 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 16 10 2 4 100%
Bass 17 10 2 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 16 10 2 4 100%
Bass 17 10 2 4 100%
Cello Continuo Bass 17 0 2 4 100%
Contrabasses Bass 17 0 2 4 100%
Violoncellos Continuo Bass 17 0 2 4 100%
Violins 1 Treble 18 0 1 5 98%
Violins 2 Treble 19 0 2 5 98%
Violas 13 0 1 4 81%
Cesare 13 0 2 7 74%
 
Empio, diro, tu sei, from HWV 17, (1724)
edward.maurath
4:44 Est. Play
Time
64 Measures
1,120Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 10 8 5 100%
Bass 27 16 8 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 10 8 5 100%
Bass 27 16 8 6 100%
Celli Bass 27 0 8 6 100%
Continuo Bass 27 0 8 6 100%
Kontrebaß Bass 27 0 8 6 100%
Violini Treble 24 0 12 4 82%
Cesare Treble 16 0 6 6 65%
 
"Non disperar, chi sa?" from HWV 17
edward.maurath
0:01 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 24 12 6 6 98%
Bass 23 4 6 5 98%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 24 12 6 6 98%
Bass 23 4 6 5 98%
Harpsichord Treble 24 10 7 6 98%
Bass 23 5 7 5 98%
Continuo Bass 23 0 6 5 98%
Cleopatra 16 0 5 5 72%
Violini Treble 16 0 2 6 62%
Celli Bass 17 0 1 3 56%
Violas 11 0 0 4 33%
Kontrebaß Bass 13 0 0 2 21%
 
"Non ha piu che temere quest" from "Giulio Cesare," HWV 17, (1724)
edward.maurath
3:51 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 8 4 4 100%
Bass 22 20 5 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 8 4 4 100%
Bass 22 20 5 4 100%
Harp Continuo Treble 20 18 5 4 100%
Bass 21 13 4 4 100%
Violoncello Continuo Bass 20 0 4 4 100%
Contrabassi Continuo Bass 17 0 3 4 93%
Violini Treble 19 0 5 3 93%
Violoncelli Contniuo Bass 18 0 3 4 93%
Cornelia 14 0 4 7 76%
 
"parolette, rezzi e sguardi" from "Rinaldo," HWV 7 (1731)
edward.maurath
0:01 Est. Play
Time
98 Measures
1,841Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 25 92 5 11 77%
Bass 20 7 3 10 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 25 92 5 11 77%
Bass 20 7 3 10 100%
Violoncello (Continuo) Bass 18 0 3 8 100%
Soprano
as Almirena		 13 0 2 11 77%
Violoncelli (Continuo) Bass 17 0 2 7 76%
Contrabassi (Continuo) Bass 16 0 1 7 75%
Violin Treble 17 0 2 8 75%
 
Cesare, "Non e si vago e bello" from HWV 17, (1724)
edward.maurath
4:10 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 8 6 4 100%
Bass 21 16 6 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 8 6 4 100%
Bass 21 16 6 4 100%
Harpsichord Treble 20 8 6 4 100%
Bass 22 17 6 4 100%
Celli Bass 21 0 5 4 100%
Continuo Bass 21 0 5 5 100%
Kontrebaß Bass 21 0 5 4 100%
Violini Treble 14 4 1 5 90%
Cesare 14 0 3 5 79%
Violas 11 0 0 4 16%
 
HWV56N31 - He was cut off out of the land of the living
edward.maurath
0:18 Est. Play
Time
5 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC
LH		 Bass 4 0 1 3 100%
BC
RH		 Treble 10 7 4 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC
LH		 Bass 4 0 1 3 100%
BC
RH		 Treble 10 7 4 3 100%
Cello Continuo Bass 4 0 1 3 100%
Contrabass Bass 4 0 1 3 100%
Tenor Treble 8 0 4 3 100%
Viola 4 0 1 3 100%
Violoncellos Bass 4 0 1 3 100%
Vln
I		 Treble 5 0 2 4 100%
Vln
II		 Treble 5 0 3 3 100%
 
HWV56N15 - And the angel said unto them
edward.maurath
0:35 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 14 3 6 100%
Bass 14 7 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 14 3 6 100%
Bass 14 7 2 4 100%
Cello Bass 8 0 1 4 100%
Contrabass Bass 8 0 1 4 100%
Soprano 9 0 2 5 82%
 
HWV56N08 Messiah: Behold, a virgin shall conceive
edward.maurath
0:14 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 4 0 0 2 100%
HPSI
LH		 Bass 9 8 1 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 4 0 0 2 100%
HPSI
LH		 Bass 9 8 1 2 100%
Hpsi
RH		 Treble 10 8 1 2 100%
Violone Bass 4 0 0 2 100%
Alto 7 0 1 4 86%
 
HWV56N19Y1741 - Soprano - Then shall the eyes of the blind be opened
edward.maurath
0:26 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 7 0 2 4 100%
HPSI
LH		 Bass 13 10 4 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 7 0 2 4 100%
HPSI
LH		 Bass 13 10 4 4 100%
Hpsi
RH		 Treble 12 10 3 4 100%
Soprano 10 0 4 5 100%
 
HWV56N19Y1742 - Messiah - Alto - Then shall the eyes of the blind be opened (1742)
edward.maurath
0:26 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 10 0 4 5 100%
Cello Bass 7 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 10 0 4 5 100%
Cello Bass 7 0 2 4 100%
Contrabass Bass 7 0 2 4 100%
HPSI
LH		 Bass 10 8 3 4 100%
Hpsi
RH		 Treble 11 9 4 4 100%